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It seems sometimes that monsters are only considered valid if they are supported by some deeper meaning, but they can be enjoyed for what they are too,” he said. “When I was a kid I drew squids and robots because I loved them and I still feel that way now.
“Fantasy and science fiction can be literal as well as allegorical and there’s nothing wrong with enjoying a monster like a giant squid for what it is, as well as searching for metaphor.
I think that dichotomy (between social commentary and holy fuck that moth just owned that guy) is precisely what makes Miéville books such excellent reads, and I think it's the skewing of that dichotomy that made The City and The City less gripping than its predecessors.
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